Art
Art & Life


Walter Pfeiffer, Untitled, 1979
Courtesy Galerie Sultana, presented as part of not cancelled: Paris edition.

After last month’s focus on the luxury fashion industry and it’s response to the global pandemic, we focus this month on the response of another luxury industry close to our hearts, the contemporary art world. The already precarious economies of artists, galleries and museums that support contemporary art were thrown into disarray with the arrival of Covid-19. As galleries and museums were forced to close, the ever-adapting art world looked to new forms of exhibiting works and financing for artists and art spaces. Artists mobilized to support and reinvent themselves in innovative ways and new forms of expression were created and diffused.

To aid the young commercial gallery system, Treat Agency, an independent association from Austria, created the online solution not cancelled:

“not cancelled creates meaningful digital art events. It is an initiative that was born out of the necessity for viable digital options for art institutions that arose from the global closure of physical spaces.”

The platform highlights cities for one week, creating an online marketplace - like a mini-salon - federating young contemporary art galleries enabling them to supplement their reduced incomes and present their artists to global collectors. They have already hosted editions focussing on Berlin, Vienna, Warsaw, Paris, Dubai Netherlands and Chicago with more cities to come. It has become an essential platform for young galleries, that need to represent their artists having been forced to shutter their brick and mortar premises due to the situation.

Taken from Instagram.com/wolfgang_tillmans

Artist Wolfgang Tillmans launched one of the most altruist projects during the epidemic - the 2020Solidarity campaign; manifested under the banner of his Between Bridges association based in Berlin. He invited over 50 internationally renowned artists to design posters that are offered in fundraisers by cultural and music venues, community projects, independent spaces and publications that are existentially threatened by the crisis. The venues taking part to promote the posters for 4-6 weeks at 50€ each. All proceeds collected go to their programs and at the end of there fundraising periods Between Bridges print the posters offering them free of charge, sending them to distribute to their customers.

Several posters for the 2020Solidarity initiative by Jochen Lempert, Jeff Koons, Betty Tompkins and Anne Imhof, see them all on the Between Bridges site.

Another great artist-led initiative came from Matthew Burrows, a painter from London, who created the ‘Artists Support Pledge’ on Instagram. All artists are free to take part using the hashtag #artistssupportpledge with a simple hypothesis: 

"Artists post images of their work on Instagram which they are willing to sell for no more than £200 each (not including shipping). Anyone can buy the work. Every time an artist reaches £1000 of sales, they pledge to spend £200 on another artist/s work.”

The initiative has taken off, providing artists who are struggling with an income directly from their work. Each time you click the hashtag on Instagram it shows you all of the artist's works for sale taking part in the scheme.

Screenshot from 2 Lizards: Episode 3, courtesy Meriem Bennani's Instagram page.

In parallel to the money-making initiatives, many artists have also produced digital works that are not for sale in reaction to the lockdowns in place in most countries. None have touched the international art world and viewers quite like the episodic ‘2 Lizards’. The brainchild of artists Meriem Bennani and Orian Barki, dubbed by the New York Times as the ‘Coronavirus Art Stars’.

““We decided to go for moods,” Ms. Bennani said in a recent interview, “because there was so much factual information from the news that it’s our way of abstracting it into a feeling that can fuel story.””
New York Times, April 22nd

The ongoing saga of the lizards is an authentic account of two friends going through the lockdown together in New York; we can all see a little of ourselves in the lizards and the various characters that populate the series, which is why it has been such a huge success - take a look below at '2 Lizards' and see for yourself!

https://vimeo.com/400611759

2 Lizards: Episode 2, 2020
Orian Barki and Meriem Bennani, courtesy the artists and Artforum

Story of the Month
Chromatic Christmas & Festive Feelings

“Green for the ivy that grows by the wall

White for the mistletoe that hangs in the hall

Red for the berries that shine in the snow”

The Colors of Christmas, John Rutter, 2011

The material identity of the festive season defines our holiday experience as much as the recognized colour codes of Christmas. A traditional holiday home is evoked by trees replete with baubles, garlands of tinsel, twinkling lights, satin bows and varied ornaments. Candles line our tabletops and cards from friends and relatives punctuate our mantelpieces. Even those that do not celebrate Christmas in their own homes, feel its material identity on the streets as trees appear in public places, and garlands of lights are strung above our heads in commercial shopping districts. The spectacle of the lights is so important, it is often turned into a public event, with a celebrity or beloved public personality chosen to ‘flick the switch’. We immediately regress to our childhood selves marvelling upon the windows of department stores and boutiques, full of evocative textures and nostalgic scenes of winter, homeliness and family.   American Supply is renowned for its unrivalled choice of unique Christmas materials for luxury merchandising, high-end windows and in-store POS. We work with industry leaders in luxury to make their Christmas dreams come true, from material consultations to bespoke material creation, to full-circle manufacturing for larger productions across networks of stores.    This month we break down the codified colours of Christmas and extricate their material ingredients, reimagining them with a small selection of materials that we have here to give you a feeling of Christmas, our way!
“Red for the berries that shine in the snow”   Red is personified by the beloved festive berries that grow prolifically on the holly trees in winter months against all odds. Glitter evokes the morning dew on the holly berries with a touch of luxurious sparkle, complemented by gold. Famously, in 1863, Thomas Nast, an American political cartoonist for Harper’s Weekly, created the defining images of Santa Claus wearing his red and white outfit that have become iconic, reinforcing our chromatic Christmas.
“White for the mistletoe that hangs in the hall   White evokes the snow and frost that cover the earth in the coldest moments, the fur that lines the extremities of Santa Claus’ suit, the berries in the lover’s mistletoe and the purity of the clothes that cover our holiday tables. Lest we forget the reflection of light on a surface, a glinting, shimmering, scintillating whiteness and the metallic luxury of silver.
“Green for the ivy that grows by the wall”   The evergreen tree is an enduring symbol of the festive household, sprouting even in the coldest winter months, enriching us with enduring life. Deep green Ivy compliments our holly with its contrasting berries and viridescent satin ribbons adorn our boxes under the tree. Green also represents the importance of eco-innovative solutions for the festive season - a time of giving and receiving - the best gift we can give is to the planet itself, with sustainable and beautiful options.
All of the materials shown here can be ordered, and some are in stock at our studio. Please contact us for any material requests, material advice or if you would like to come in for a consultation with one of our experts.

Event
Material District Rotterdam 2020

American Supply is pleased to present materials at Material District Rotterdam. The salon takes place from the 23rd to the 25th of June, and is one not to be missed for material enthusiasts!

This year’s edition will be the biggest yet, with a focus on sustainability in a curated selection of 400 materials from Material District’s extensive library for visitors to see, feel and experience first hand. All selected materials fall within one or more of their sustainable themes.

Material District Rotterdam will show our Flash-Luminium, which is composed of our Rainbow Flash retro-reflective nylon material fused on an aluminium support. Flash-Luminium is almost black when not activated by light, but once it is activated it becomes a prismatic gradient rainbow-colour. The retroreflection is achieved through light activating micro-glass beads on the nylon surface with a gradient refractive index. Even when not flashed, the dark surface has a subtle rainbow tint.

Its lightweight aluminium support is easily manipulated by hand and able to hold the form you give it with ease. Once this is combined with its retro-reflectivity, it becomes a material that needs to be seen to be believed!

Dates & opening hours MaterialDistrict Rotterdam
Tuesday 23 June 2020: 10:30 – 19:00
Wednesday 24 June 2020: 10:30 – 19:00
Thursday 25 June 2020: 10:30 – 19:00

Material District Rotterdam
Rotterdam Ahoy
Ahoyweg 10
3084 BA Rotterdam

For more information visit:
Rotterdam.MaterialDistrict.com

Materials
The American Supply Material Collections

The American Supply material collection offer is 25% eco-conscious to help you with your dedicated sustainable material research. Our collections are invaluable additions to any discerning Materiotheque and are available in three distinct formats. They are packaged in exclusive American Supply binders, housed in gold embossed American Supply Cubes to keep them in order.

 

Our first offer is The Classic Collection, which segments our iconic materials into their process families – Applied / Laminated, Coated / Projected, Extruded / Calendered, Pressed / Cast, Relief / 3D Effect and Woven / Braided. This makes it easier to discern the varied manufacturing processes behind their creation and aids your imagination to understand the possibilities of combining and transforming them. At the end of the year, a thirteenth binder is sent to you, containing the Material of the Month samples.

The American Supply Classic Collection is composed of 12 binders in 3 American Supply Cubes, containing 140 materials. Our 6 manufacturing process families are divided into 2 binders each. At the end of the year, in December, a thirteenth binder will be sent with all 12 Material of the Month in a bonus binder of new materials. The American Supply Classic Collection contains 152 materials.

Our second offer is the Eco-Collection which classifies our most recent research into the following eco-categories: Recycled, Recyclable, Eco-Conception & NaturalThe Eco-Collection is composed of 4 binders in one American Supply Cube.

Each binder contains 10 -12 materials, chosen by our creative team that reflect our ongoing eco-conscious research. The Eco-Collection contains 50 materials in 4 binders housed in 1 American Supply cube.

Our final offer is The American Supply Full Collection, combining The Classic Collection and The Eco-Collection together in a complete package, giving you access to 25% eco-conscious materials. This option gives you all the tools you need to understand the American Supply materials, and gives you first-hand access to our latest material research, revealing the material’s potential and transformative possibilities.  At the end of the year, a seventeenth binder is sent to you, containing the Material of the Month samples.

The American Supply Classic Collection as above – Contains 140 materials and the Eco-Collection containing 50 Materials. A total of 16 binders in 4 American Supply Cubes, with 202 materials. At the end of the year, a seventeenth binder will be sent with all 12 Material of the Month in a bonus binder of new materials.

Art
REFLECTIONS ON PARISIAN CULTURE

Hotel Molitor Paris has an enviable history, even when it was closed in 1989 it attracted the Parisian underground. Constructed in 1929 by Lucien Pollet, in an avant-garde Art Deco décor style, and immediately established itself as the go-to destination for Parisians to bathe, socialize and exercise. The hotel maintained its crown for 60 years before closing its doors to the public in 1989.

Credit Photo: Sunbathers at Piscine Molitor, Paris, 1929 (found on https://www.vintag.es/)

It was in this period from 1989 to 2014 that The Molitor became a social hub for the Parisian underground; artists, photographers and eventually the fashion world embraced this electric atmosphere and the forbidden became the norm. The Molitor’s subcultural position was cemented into the fabric of Paris itself.

Since re-opening in 2014 the latest incarnation of Hotel Molitor Paris continues to reflect on its artistic heritage by hosting an art installation in their outdoor swimming pool area each year. This year, the artist Amélie Lengrand has taken over, creating a giant spherical structure suspended above the water, taking inspiration from the reflections of the pool, and the architecture of the hotel itself.

She worked with our iconic Magic Mirror film and its unique dichroic refractive qualities to create her sculptural oeuvre. The film gives the work an unparalleled colourful reflection that mirrors the rich and colourful past of the hotel itself.

Molitor, above and beyond its current incarnation, has been at various moments a place of celebration, meetings, and parties. For me, it reflects the idea of a village fete, a place of freedom that celebrates the joy of being together. The work is an interpretation of this, inspired by the Mirrorball in the club combined with Hotel Molitor’s architecture
– Amélie Lengrand.

Lengrand’s installation is free to visit until 29 February 2020.

For more information on Magic Mirror film, contact us.

Credit Photo: All photos courtesy L’hôtel Molitor Paris & Amélie Lengrand unless otherwise stated

Design
OUTDOORS, INDOORS


Maison & Objet returned to Paris’ Parc Des Expositions for their January edition, with an interior focus on reworking natural textures and natural materials. If in September the salon leaned towards nature, this time nature was harnessed, focussed and applied.

The Cypriot designer Michael Anastassiades was chosen as Designer of the Year, which was fitting as his eponymous lighting brand launched in 2007 at the salon. He showed a poetic selection of pendant lights, that evoked the mobile sculptures of Alexander Calder, turning softly on hydraulics for the presentation.

As our world addresses the urgency of looking towards its own future, people take to the streets and the outdoor comes indoor. It’s time to welcome the wild into your domestic paradise and celebrate the beauty of the natural world.

Materials
Sustainable Transformations

This month we experiment with a new material in our sustainable material library: CocoRub.The material itself is composed solely of coconut fibres and natural latex, making it fully renewable and biodegradable. We transformed it in a number of ways using eco-friendly methods: heat bonding it with recyclable PU making it impermeable, colouring it with water-based eco-paint application, and finally, cutting it into strips and weaving it for a three dimensional feel.

For more information about CocoRub, click here.

Design
Architectural Dressing

Iris Van Herpen Spring 2012 Couture referenced European Gothic Cathedrals

Fashion is architecture: it is a matter of proportions.” Coco Chanel

If architecture is the act of dressing spaces, and fashion is the act of dressing the body, then the act of the body moving through spaces is the primary meeting of the two. An ephemeral moment, where fashion invades architecture and architecture envelopes the body cocooning it. There are countless examples of fashion designers being inspired by architecture, and there are many celebrated fashion designers who first studied architecture, before focussing on fashion, than you may realise, including such luminaries as Pierre Balmain, Tom Ford, Gianni Versace, and Pierre Cardin.

Dior Haute Couture fall 2014 and Esterhazy Palace, Austria

It is, however, rare to find such a sensitive example of fashion meeting architecture as the recent collaboration between fashion designer Iris Van Herpen and Rotterdam’s Neutelings Riedijk Architects for the Naturalis Biodiversity Center in Leiden, Netherlands. Neutelings Riedijk Architects won the open call in 2013 to renovate the original museum, including the development of a 400,000 square foot extension, and they immediately thought of collaborating with fashion designer Iris Van Herpen.

We wanted to evoke nature in all its elements — biodiversity, geology, tectonics — and not do so in a straightforward 19th-century manner. Hence, Iris. Michiel Riedijk, the project’s lead architect in The New York Times, October 2019

Iris Van Herpen’s panels photographed by Dmitry Kostyukov for The New York Times

The forms emulated undulating wave forms in pleated silk, or the water erosion that occurs over thousands of years, making the building look like it is in perpetual movement, whilst feeling both ancient and brand-new at the same time.

"The intention really was not to go away from my couture process too much, but instead to still it, and to disembody it" Iris Van Herpen, speaking to Dezeen in August 2019.


Iris Van Herpen’s panels at Naturalis, photographed for Dezeen